Jon Hopkins played The Sinclair – 11/18
An excellent electronic bill of UK producers, headed by Jon Hopkins and rounded out by Clark and Nathan Fake, took over The Sinclair on Monday night. My review is up at Tastemakers, with more photos here.
An excellent electronic bill of UK producers, headed by Jon Hopkins and rounded out by Clark and Nathan Fake, took over The Sinclair on Monday night. My review is up at Tastemakers, with more photos here.
Logistical weirdness prevented me from getting in the door to the highly anticipated (and very sold-out) High on Fire/Kvelertak/Doomriders gig at the Middle East on Saturday night, so I headed to Royale and shot some of the abrasive craziness at Sleigh Bells instead. Some photos …
My new freelancing gig for BDCwire took me to shows from psych rockers Wooden Shjips, quirky Canadian songwriter Dan Bejar (aka Destroyer) and mystical dream-pop crew Active Child over the course of last week. Click the links for the full photo galleries for each.
Just as they did last June, jam-band-with-indie-cred Built to Spill sold out the Paradise last Friday night for a laid-back show that sported some weird and awesome cover performances. Read my review at Tastemakers, and see the rest of the photos here.
At long, long last, legendary shoegaze band My Bloody Valentine played a Boston date in support of their stellar 2013 album m b v at the House of Blues. No photo passes were issued for the show, but I caught some halfway decent shots on …
Massachusetts post-rockers Caspian wowed a sold-out Sinclair a few weeks back for a date on their tour with 65daysofstatic and The World is a Beautiful Place and I am No Longer Afraid to Die. Photos from the show are here.
Indie rock stalwarts Sebadoh, headed by Dinosaur Jr.’s Lou Barlow, played The Sinclair earlier this month in support of their first new LP in 14 years, Defend Yourself. Check out the photo set here.
November has been a crazy-busy month of shows, which kicked off the day after Halloween with Neko Case (a review of which will appear in the next print issue of Tastemakers) and continued the next night with my beloved Dismemberment Plan. Review of the show …
Self-described “post-everything instrumental band” Pelican returned to Boston for the first time in four years on Saturday night, headlining a sold-out show at Great Scott with the accompaniment of Phantom Glue and Kings Destroy.
It was an particularly heavy Tuesday evening at the Middle East Downstairs this week, as the club paid host to doom metal pioneers Saint Vitus and their pummeling trio of openers in Pallbearer, The Hookers and Gozu.